Camille Pissarro

Some charming reproductions of classic Danish-French Impressionism from Camille Pissarro, faithfully reproduced by World of Art and printed on quality 200gsm-thick four-star Green Star eco-friendly paper with a soft-satin low-sheen finish reducing the gloss effect allowing for wider perspective of the image from different angles. Green star system approved paper is a universally recognised eco-responsibility paper based on the origin of the fibre and the manufacturing process. Using high quality inks for a longer lasting effect you can be assured your poster will be with you for years to come. All our posters are standard A3 size and look beautiful with or without frames but if you're thinking of framing then a standard A3 frame will fit perfectly. All posters come with a thin white border. We have over 12,000 posters in stock so please do check back in regularly for new items as we list them as quickly as possible.

Please note before ordering all our posters are reproduction posters 

Standard A3 Size
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16.53" x 11.69"
42cm x 29.7cm
420mm x 297mm
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Camille Pissarro, 1830 to 1903, was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas which is now in the US Virgin Islands but then in the Danish West Indies. His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54. In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the "pivotal" figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the dean of the Impressionist painters, not only because he was the oldest of the group, but also by virtue of his wisdom and his balanced, kind, and warmhearted personality. Cézanne said he was a father for me. A man to consult and a little like the good Lord," and he was also one of Gauguin's masters. Renoir referred to his work as revolutionary, through his artistic portrayals of the common man, as Pissarro insisted on painting individuals in natural settings without artifice or grandeur. Pissarro is the only artist to have shown his work at all eight Paris Impressionist exhibitions, from 1874 to 1886. He acted as a father figure not only to the Impressionists but to all four of the major Post-Impressionists, including Georges Seurat, Paul Cézanne, Vincent van Gogh and Paul Gauguin

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