The Cinema of Germany can be traced back to the late 19th century. German cinema has made major technical and artistic contributions to film during the period from 1918-1933.
Germany witnessed major changes to its identity during the 20th and 21st century. Those changes determined the periodisation of national cinema into a succession of distinct eras and movement.
In its earliest days, the cinematograph was perceived as an attraction for upper class audiences, but the novelty of moving pictures did not last long. Soon, trivial short films were being shown as fairground attractions aimed at the working class and lower-middle class. The booths in which these films were shown were known in Germany somewhat disparagingly as Kintopps. Film-makers with an artistic bent attempted to counter this view of cinema with longer movies based on literary models, and the first German "artistic" films began to be produced from around 1910, an example being the Edgar Allan Poe adaptation The Student of Prague (1913) which was co-directed by Paul Wegener and Stellan Rye, photographed by Guido Seeber and starring actors from Max Reinhardt's company.
- 'Expressionismus. Titelseite des Sonderhefts' der Zeitschrift Das Plakat in 1920 £6.99
- 'Baccarat' by Josef Fenneker in 1920 £6.99
- 'Der Strafling von Cayenne' by Josef Fenneker in 1921 £6.99
- 'Ehrenschuld' by Josef Fenneker in 1921 £6.99
- 'Eine Welt Ohne Liebe' by Josef Fenneker in 1921 £6.99
- 'Entgleist' by Josef Fenneker in 1921 £6.99
- 'Schloss Vogelod' by Josef Fenneker in 1921 £6.99
- 'Sohne der Nacht' by Josef Fenneker in 1921 £6.99
- 'Windsor’s Apachen Tanze' by Josef Fenneker in 1921 £5.99