Harry Clarke

A small yet fascinating collection of Ireland's master illustrator Harry Clarke, faithfully reproduced on 200gsm-thick four-star Green Star eco-friendly paper with a soft-satin low-sheen finish reducing the gloss effect effect allowing for a wider perspective of the image from different angles. Green star system approved paper is a universally recognised eco-responsibility paper based on the origin of the fibre and the manufacturing process. Using high quality inks for a longer lasting effect you can be assured your poster will be with you for years to come. All our posters are standard A3 size and look beautiful with or without frames but if you're thinking of framing then a standard A3 frame will fit perfectly. All posters come with a thin white border. We have over 12,000 posters in stock so please do check back in regularly for new items as we list them as quickly as possible.

Please note before ordering all our posters are reproduction posters 

Standard A3 Size
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16.53" x 11.69"
42cm x 29.7cm
420mm x 297mm
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Harry Clarke (1889-1931) was an Irish stained-glass artist and book illustrator. Born in Dublin, he was a leading figure in the Irish Arts and Crafts Movement.
Henry Patrick (Harry) Clarke was born 17 March 1889, younger son and third child of Joshua Clarke and Brigid Clarke (née MacGonigal). Church decorator Joshua Clarke moved to Dublin from Leeds in 1877 and started a decorating business Joshua Clarke & Sons, which later incorporated a stained glass division. Through his work with his father, Clarke was exposed to many schools of art but Art Nouveau in particular.
Clarke moved to London to seek work as a book illustrator. Picked up by London publisher Harrap, he started with two commissions which were never completed: Samuel Taylor Coleridge's The Rime of the Ancient Mariner (his work on which was destroyed during the 1916 Easter Rising) and an illustrated edition of Alexander Pope's The Rape of the Lock.
Difficulties with these projects made Fairy Tales by Hans Christian Andersen his first printed work, in 1916. It included 16 colour plates and more than 24 halftone illustrations. This was followed by an illustrations for an edition of Edgar Allan Poe's Tales of Mystery and Imagination: the first version of that title was restricted to halftone illustrations, while a second with eight colour plates and more than 24 halftone images was published in 1923. This 1923 edition made his reputation as a book illustrator, during the golden age of gift-book illustration in the first quarter of the twentieth century. Clarke's work can be compared to that of Aubrey Beardsley, Kay Nielsen, and Edmund Dulac.

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