Harry Clarke Reproduction Vintage Art Posters by World of Art — World of Art Global Limited Skip to content
Just in! The Mihály Biró Collection
Just in! The Mihály Biró Collection
Harry Clarke posters of the macabre by World of Art

Harry Clarke

A small yet fascinating collection of Ireland's master illustrator Harry Clarke,all faithfully reproduced and printed on quality 200gsm-thick four-star Green Star eco-friendly paper with a soft-satin low-sheen finish and high quality inks to retain colour vibrancy for years to come. Green star system approved paper is a universally recognised eco-responsibility paper based on the origin of the fibre and the manufacturing process.  All our posters are standard A3 size and look beautiful with or without frames but if you're thinking of framing then a standard A3 frame will fit perfectly. All posters come with a thin white border
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Please note before ordering all our posters are reproduction posters 
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Standard A3 Size
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16.53" x 11.69"
42cm x 29.7cm
420mm x 297mm
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Thank you for ordering from us
Your custom is appreciated
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Harry Clarke (1889-1931) was an Irish stained-glass artist and book illustrator. Born in Dublin, he was a leading figure in the Irish Arts and Crafts Movement.
Henry Patrick (Harry) Clarke was born 17 March 1889, younger son and third child of Joshua Clarke and Brigid Clarke (née MacGonigal). Church decorator Joshua Clarke moved to Dublin from Leeds in 1877 and started a decorating business Joshua Clarke & Sons, which later incorporated a stained glass division. Through his work with his father, Clarke was exposed to many schools of art but Art Nouveau in particular.
Clarke moved to London to seek work as a book illustrator. Picked up by London publisher Harrap, he started with two commissions which were never completed: Samuel Taylor Coleridge's The Rime of the Ancient Mariner (his work on which was destroyed during the 1916 Easter Rising) and an illustrated edition of Alexander Pope's The Rape of the Lock.
Difficulties with these projects made Fairy Tales by Hans Christian Andersen his first printed work, in 1916. It included 16 colour plates and more than 24 halftone illustrations. This was followed by an illustrations for an edition of Edgar Allan Poe's Tales of Mystery and Imagination: the first version of that title was restricted to halftone illustrations, while a second with eight colour plates and more than 24 halftone images was published in 1923. This 1923 edition made his reputation as a book illustrator, during the golden age of gift-book illustration in the first quarter of the twentieth century. Clarke's work can be compared to that of Aubrey Beardsley, Kay Nielsen, and Edmund Dulac.