Hieronymus Bosch 'The Angel, from Death and The Miser, Detail', Nether — World of Art Global Limited Skip to content
Latest Collection: The Mihály Biró Collection
Latest Collection: The Mihály Biró Collection

Hieronymus Bosch 'The Angel, from Death and The Miser, Detail', Netherlands, 1485-90, Reproduction 200gsm A3 Vintage Classic Art Poster

£6.99

A fascinating collection of 16th century art from the Dutch/Netherlandish painter Hieronymus Bosch, all faithfully reproduced by World of Art and printed on quality 200gsm-thick four-star Green Star eco-friendly paper with a soft-satin low-sheen finish reducing the gloss effect allowing for a wider perspective of the image from different angles. Green star system approved paper is a universally recognised eco-responsibility paper based on the origin of the fibre and the manufacturing process. All our posters are standard A3 size and look beautiful with or without frames but if you're thinking of framing then a standard A3 frame will fit perfectly. All posters come with a thin white border.

Please note before ordering all our posters are reproduction posters

Standard A3 Size

16.53" x 11.69"

42cm x 29.7cm

420mm x 297mm

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Hieronymus Bosch (1450-1516) was an early Netherlandish painter. His work is known for its fantastic imagery, detailed landscapes, and illustrations of religious concepts and narratives. Within his lifetime his work was collected in the Netherlands, Austria, and Spain, and widely copied, especially his macabre and nightmarish depictions of hell. Little is known of Bosch's life, though there are some records. He spent most of it in the town of 's-Hertogenbosch, where he was born in his grandfather's house. The roots of his forefathers are in Aachen, in present-day Germany. His pessimistic and fantastical style cast a wide influence on northern art of the 16th century, with Pieter Bruegel the Elder being his best known follower. His paintings have been difficult to translate from a modern point of view; attempts to associate instances of modern sexual imagery with fringe sects or the occult have largely failed. Today he is seen as a hugely individualistic painter with deep insight into man's desires and deepest fears. Attribution has been especially difficult; today only about 25 paintings are confidently given to his hand. His most acclaimed works consist of a few triptych altarpieces, the most outstanding of which is The Garden of Earthly Delights.