Kazimir Malevich

An fascinating selection of Suprematism, Cubism and Naïve art can be found in the Kazimir Malevich Collection, all faithfully reproduced and printed on quality 200gsm-thick four-star Green Star eco-friendly paper with a soft-satin low-sheen finish and high quality inks to retain colour vibrancy for years to come. Green star system approved paper is a universally recognised eco-responsibility paper based on the origin of the fibre and the manufacturing process. All our posters are standard A3 size and look beautiful with or without frames but if you're thinking of framing then a standard A3 frame will fit perfectly. All posters come with a thin white border

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Please note before ordering all our posters are reproduction posters
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Standard A3 Size

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16.53" x 11.69"
42cm x 29.7cm
420mm x 297mm

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Kazimir Severinovich Malevich (1878-1935) was a Polish-Russian painter and art theoretician. He was a pioneer of geometric abstract art and the originator of the avant-garde Suprematist movement. In 1915, Malevich laid down the foundations of Suprematism when he published his manifesto, From Cubism to Suprematism. Working with other Suprematist artists he lived in a peasant/artisan co-operative in Skoptsi and Verbovka village. In 1916–1917 he participated in exhibitions of the Jack of Diamonds group in Moscow together with Nathan Altman, David Burliuk, Aleksandra Ekster and others. Famous examples of his Suprematist works include Black Square in 1915 and White On White in 1918. Malevich exhibited his first Black Square, now at the Tretyakov Gallery in Moscow, at the Last Futurist Exhibition in Petrograd in 1915. A black square placed against the sun appeared for the first time in the 1913 scenery designs for the Futurist opera Victory over the Sun. The second Black Square was painted around 1923. Some believe that the third Black Square was painted in 1929 for Malevich's solo exhibition, because of the poor condition of the 1915 square. One more Black Square, the smallest and probably the last, may have been intended as a diptych together with the Red Square, though of smaller size, for the exhibition Artists of the RSFSR: 15 Years, held in Leningrad in 1932. The Two squares, Black and Red, were the centrepiece of the show. This last square, despite the author's note 1913 on the reverse, is believed to have been created in the late twenties or early thirties, for there are no earlier mentions of it. Black Square, the fourth version of his magnum opus painted in the 1920s, was discovered in 1993 in Samara and purchased by Inkombank for US$250,000. In April 2002 the painting was auctioned for an equivalent of US$1 million. The purchase was financed by the Russian philanthropist Vladimir Potanin, who donated funds to the Russian Ministry of Culture, and ultimately, to the State Hermitage Museum collection. According to the Hermitage website, this was the largest private contribution to state art museums since the October Revolution. On 3 November 2008 a work by Malevich entitled Suprematist Composition from 1916 set the world record for any Russian work of art and any work sold at auction for that year, selling at Sotheby's in New York City for just over US$60 million, surpassing his previous record of US$17 million set in 2000.