Paul Cezanne reproduction classic art posters from World of Art — World of Art Global Limited Skip to content
Just in! The Mihály Biró Collection
Just in! The Mihály Biró Collection
Paul Cezanne classic art posters by World of Art

Paul Cezanne

A lovely collection from Post-Impressionist Paul Cezanne, all faithfully reproduced by World of Art on 200gsm-thick four-star Green Star eco-friendly paper with a soft-satin low-sheen finish and high quality inks to retain colour vibrancy for years to come. Green star system approved paper is a universally recognised eco-responsibility paper based on the origin of the fibre and the manufacturing process. All our posters are standard A3 size and look beautiful with or without frames but if you're thinking of framing then a standard A3 frame will fit perfectly. All posters come with a thin white border
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Please note before ordering all our posters are reproduction posters
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Standard A3 Size
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16.53" x 11.69"
42cm x 29.7cm
420mm x 297mm
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Paul Cézanne (1839-1906) was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cézanne's often repetitive, exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields. The paintings convey Cézanne's intense study of his subjects. He is said to have formed the bridge between late 19th-century Impressionism and the early 20th century's new line of artistic enquiry, Cubism. Both Matisse and Picasso are said to have remarked that Cézanne "is the father of us all." Cézanne's works were rejected numerous times by the official Salon in Paris and ridiculed by art critics when exhibited with the Impressionists. Yet during his lifetime Cézanne was considered a master by younger artists who visited his studio in Aix. After Cézanne died in 1906, his paintings were exhibited in Paris in a large museum-like retrospective at the Salon d'Automne in September 1907 which greatly affected the direction that the avant-garde in Paris took, lending credence to his position as one of the most influential artists of the 19th century and to the advent of Cubism.