Eanger Irving Couse 'Pride of The Camp', U.S.A, 1800's, Reproduction 200gsm A3 Vintage Classic Native American Art Poster
Travel the Wild West with these beautiful reproductions from Eanger Irving Couse, classic Native American art, faithfully reproduced and printed on quality 200gsm-thick four-star Green Star eco-friendly paper with a soft-satin low-sheen finish and high quality inks to retain colour vibrancy for years to come. Green star system approved paper is a universally recognised eco-responsibility paper based on the origin of the fibre and the manufacturing process. All our posters are standard A3 size and look beautiful with or without frames but if you're thinking of framing then a standard A3 frame will fit perfectly. All posters come with a thin white border.
Please note before ordering all our posters are Reproduction Posters hand-made to order
Standard A3 Size
16.53" x 11.69"
42cm x 29.7cm
420mm x 297mm
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Eanger Irving Couse, (1866-1936), was an American artist and a founding member and first president of the Taos Society of Artists. He is noted for paintings of Native Americans, New Mexico, and the American Southwest. Couse (pronounced to rhyme with house) was born to a farming family in Saginaw, Michigan. As a boy, he started drawing members of the Chippewa tribe who lived nearby. He attended local schools as a child and continued to work at art. He left Michigan for professional art studies at the Art Institute of Chicago and the National Academy of Design, New York and then moved to Paris, where he studied at the École des Beaux-Arts and Académie Julian under William-Adolphe Bouguereau. He lived in France for 10 years, painting mostly landscapes of the Normandy coast. Between 1893 and 1896, he lived at the Etaples art colony, where he painted its streets and fisher folk, including Coastal Scene, Etaples. After his return to the United States, Couse first lived in New York. He spent time in Taos, New Mexico during the summers. At the turn of the 19th century, the Southwest, and New Mexico in particular, attracted numerous artists and writers because it remained untouched by national expansion efforts dictated by the American policy of Manifest Destiny. The artists and writers of this era wanted to capture the last vestiges of the Old West before it disappeared altogether. During his time in New Mexico, Couse studied and painted the lives and culture of the Taos Indians, a Pueblo tribe. He began to show his paintings of Native American life and earned his first solo show in 1891