Fernand Leger 'The Woman in Blue', France, 1912, Reproduction 200gsm A — World of Art Global Limited Skip to content
Latest Collection: The Mihály Biró Collection
Latest Collection: The Mihály Biró Collection

Fernand Leger 'The Woman in Blue', France, 1912, Reproduction 200gsm A3 Vintage Classic Art Poster

£6.99

From France comes the World of Art Fernand Léger Collection, all faithfully reproduced and printed on quality 200gsm-thick four-star Green Star eco-friendly paper with a soft-satin low-sheen finish reducing the gloss effect allowing for a wider perspective of the image from different angles. Green star system approved paper is a universally recognised eco-responsibility paper based on the origin of the fibre and the manufacturing process. All our posters are standard A3 size and look beautiful with or without frames but if you're thinking of framing then a standard A3 frame will fit perfectly. All posters come with a thin white border.

Please note before ordering all our posters are reproduction posters

Standard A3 Size

16.53" x 11.69"

42cm x 29.7cm

420mm x 297mm

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Joseph Fernand Henri Léger (1881 -1955) was a French painter, sculptor, and filmmaker. In his early works he created a personal form of cubism which he gradually modified into a more figurative, populist style. His boldly simplified treatment of modern subject matter has caused him to be regarded as a forerunner of pop art. Léger wrote in 1945 that "the object in modern painting must become the main character and overthrow the subject. If, in turn, the human form becomes an object, it can considerably liberate possibilities for the modern artist." He elaborated on this idea in his 1949 essay, "How I Conceive the Human Figure", where he wrote that "abstract art came as a complete revelation, and then we were able to consider the human figure as a plastic value, not as a sentimental value. That is why the human figure has remained willfully inexpressive throughout the evolution of my work". As the first painter to take as his idiom the imagery of the machine age, and to make the objects of consumer society the subjects of his paintings, Léger has been called a progenitor of Pop art.