Nicolas Poussin 'The Translation of Saint Rita of Cascia', France, 1635, Reproduction 200gsm A3 Vintage Classic Art Poster
Classical French Baroque collection by France's 17th century Nicolas Poussin, faithfully reproduced by World of Art and printed on quality 200gsm-thick four-star Green Star eco-friendly paper with a soft-satin low-sheen finish reducing the gloss effect allowing for a wider perspective of the image from different angles. Green star system approved paper is a universally recognised eco-responsibility paper based on the origin of the fibre and the manufacturing process. All our posters are standard A3 size and look beautiful with or without frames but if you're thinking of framing then a standard A3 frame will fit perfectly. All posters come with a thin white border.
Please note before ordering all our posters are reproduction posters
Standard A3 Size
16.53" x 11.69"
42cm x 29.7cm
420mm x 297mm
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Nicolas Poussin (1594-1665), was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. He worked in Rome for a circle of leading collectors there and elsewhere, except for a short period when Cardinal Richelieu ordered him back to France to serve as First Painter to the King. Most of his works are history paintings of religious or mythological subjects that very often have a large landscape element. Louis XIII conferred on him the title of First Painter in Ordinary. In two years at Paris he produced several pictures for the royal chapels including The Last Supper painted for Versailles eight cartoons for the Gobelins tapestry manufactory, the series of the Labours of Hercules for the Louvre, the Triumph of Truth for Cardinal Richelieu, and much minor work. In 1642, disgusted by the intrigues of Simon Vouet, Fouquières and the architect Jacques Lemercier, Poussin withdrew to Rome. There, in 1648, he finished for de Chantelou the second series of the Seven Sacraments, and also his noble Landscape with Diogenes. This painting shows the philosopher discarding his last worldly possession, his cup, after watching a man drink water by cupping his hands. In 1649 he painted the Vision of St Paul for the comic poet Paul Scarron, and in 1651 the Holy Family for the duc de Créquy. Year by year he continued to produce an enormous variety of works, many of which are included in the list given by Félibien. He suffered from declining health after 1650, and was troubled by a worsening tremor in his hand, evidence of which is apparent in his late drawings. He died in Rome on 19 November 1665 and was buried in the church of San Lorenzo in Lucina, his wife having predeceased him. He left no children, but he adopted as his son Gaspard Dughet, his wife's brother, who became a painter and took the name of Poussin.