Robert Delaunay 'Saint-Severin', France, 1909, Reproduction 200gsm A3 — World of Art Global Limited Skip to content
JUST IN! . . . Sophie Tauber-Arp. The World of Art Collection
JUST IN! . . . Sophie Tauber-Arp. The World of Art Collection

Robert Delaunay 'Saint-Severin', France, 1909, Reproduction 200gsm A3 Vintage Classic Art Poster

£6.99

A small but fascinating collection from France's Robert Delaunay, faithfully reproduced by World of Art and printed on quality 200gsm-thick four-star Green Star eco-friendly paper with a soft-satin low-sheen finishand high quality inks to retain colour vibrancy for years to come. Green star system approved paper is a universally recognised eco-responsibility paper based on the origin of the fibre and the manufacturing process. All our posters are standard A3 size and look beautiful with or without frames but if you're thinking of framing then a standard A3 frame will fit perfectly. 

Please note before ordering all our posters are reproduction posters 

Standard A3 Size

16.53" x 11.69"

42cm x 29.7cm

420mm x 297mm

Thank you for ordering from us

Your custom is appreciated

Robert Delaunay, (1885-1941) was a French artist who along with his wife Sonia Delaunay and others, co-founded the Orphism art movement, noted for its use of strong colours and geometric shapes. His later works were more abstract, reminiscent of Paul Klee. His key influence related to bold use of colour, and a clear love of experimentation of both depth and tone. He formed a close friendship at this time with Jean Metzinger, with whom he shared an exhibition at a gallery run by Berthe Weill early in 1907. The two of them were singled out by the art critic Louis Vauxcelles in 1907 as Divisionists who used large, mosaic-like 'cubes' to construct small but highly symbolic compositions. The two, often painting together in 1906 and 1907, would develop a new sub-style of Neo-Impressionism that had great significance shortly thereafter within the context of their Cubist works. Piet Mondrian developed a similar mosaic-like Divisionist technique circa 1909. The Futurists later (1909–1916) would incorporate the style, under the influence of Gino Severini's Parisian works, from 1907 onward, into their dynamic paintings and sculpture.