Seraphine Louis 'The White Daisies', 1925, France, Reproduction 200gsm A3 Classic Art Poster
An interesting collection from Séraphine Louis, known as Séraphine de Senlis, beautifully painted while she walked the dangerous tightrope between ecstasy and insanity, faithfully reproduced by World of Art on 200gsm-thick four-star Green Star eco-friendly paper with a soft-satin low-sheen finish and high quality inks to retain colour vibrancy for years to come. Green star system approved paper is a universally recognised eco-responsibility paper based on the origin of the fibre and the manufacturing process. All our posters are standard A3 size and look beautiful with or without frames but if you're thinking of framing then a standard A3 frame will fit perfectly. All posters come with a thin white border
Please note before ordering all our posters are reproduction posters.
Standard A3 Size
16.53" x 11.69"
42cm x 29.7cm
420mm x 297mm
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Séraphine Louis, known as Séraphine de Senlis, (1864-1942) was a French painter in the naïve style. Self-taught, she was inspired by her religious faith and by stained-glass church windows and other religious art. The intensity of her images, both in colour and in replicative designs, are sometimes interpreted as a reflection of her own psyche, walking a tightrope between ecstasy and mental illness. In addition to her arduous day jobs, Louis painted by candlelight, largely in secret isolation, until her considerable body of work was discovered in 1912 by German art collector Wilhelm Uhde. While in Senlis, Uhde saw a still-life of apples at his neighbor's house and was astonished to learn that Louis, his housecleaner, was the artist. His support had barely begun to lift her horizons when he was forced to leave France in August 1914; the war between France and Germany had made him an unwelcome outsider in Senlis, much as Louis was, given her eccentric persona. They only re-established contact in 1927 when Uhde – back in France and living in Chantilly – visited an exhibition of local artists in Senlis and, seeing Louis's work, realized that she had survived and her art had flourished. Under Uhde's patronage, Louis began painting large canvases as large as two meters high, and she achieved prominence as the naïve painter of her day. In 1929, Uhde organized an exhibition, Painters of the Sacred Heart, that featured Louis's art, launching her into a period of financial success she had never known – and was ill prepared to manage. Then, in 1930, with the effects of the Great Depression destroying the finances of her patrons, Uhde had no choice but to stop buying her paintings. In 1932, Louis was admitted for "chronic psychosis" at Clermont's lunatic asylum, where her artistry found no outlet. Although Uhde reported that she had died in 1934, some say that Louis actually lived until 1942 in a hospital annex at Villers-sous-Erquery, where she died friendless and alone. She was buried in a common grave. Louis's works are predominantly rich fantasies of intensely repeated and embellished floral arrangements. She used colours and pigments that she made herself from unusual and exotic ingredients she never revealed that have stood the test of time for durable vividness. Her paintings' surfaces have a matte, almost waxy appearance. Sometimes her signature (typically "S. Louis") was carved by knife, revealing a ground of contrasting colour. In some cases, she appears to have signed her paintings before painting them. Louis's paintings are exhibited in the Musée d'art de Senlis, the Musée d'art naïf in Nice, and the Musée d'Art moderne Lille Métropole in Villeneuve-d'Ascq.