Vintage Bauhaus 'Das Triadische Ballet, Germany, 1921, Oskar Schlemmer — World of Art Global Limited Skip to content
JUST IN! . . . Sophie Tauber-Arp. The World of Art Collection
JUST IN! . . . Sophie Tauber-Arp. The World of Art Collection

Vintage Bauhaus 'Das Triadische Ballet, Germany, 1921, Oskar Schlemmer, Reproduction 200gsm A3 Vintage Bauhaus Poster

£7.99

A fascinating collection from Germany's Bauhaus artist Oskar Schlemmer, faithfully reproduced by World of Art and printed on quality 200gsm-thick four-star Green Star eco-friendly paper with a soft-satin low-sheen finish reducing the gloss effect allowing for a wider perspective of the image from different angles. Green star system approved paper is a universally recognised eco-responsibility paper based on the origin of the fibre and the manufacturing process. All our posters are standard A3 size and look beautiful with or without frames but if you're thinking of framing then a standard A3 frame will fit perfectly. All posters come with a thin white border

Please note before ordering all our posters are reproduction posters

Standard A3 Size

16.53" x 11.69"

42cm x 29.7cm

420mm x 297mm

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Oskar Schlemmer (1888-1943) was a German painter, sculptor, designer and choreographer associated with the Bauhaus school. In 1923 he was hired as Master of Form at the Bauhaus theatre workshop, after working some time at the workshop of sculpture. His most famous work is "Triadisches Ballett," in which the actors are transfigured from the normal to geometrical shapes. Also in Slat Dance and Treppenwitz, the performers' costumes make them into living sculpture, as if part of the scenery. Schlemmer's ideas on art were complex and challenging even for the progressive Bauhaus movement. His work, nevertheless, was widely exhibited in both Germany and outside the country. His work was a rejection of pure abstraction, instead retaining a sense of the human, though not in the emotional sense but in view of the physical structure of the human. He represented bodies as architectural forms, reducing the figure to a rhythmic play between convex, concave and flat surfaces. And not just of its form, he was fascinated by every movement the body could make; trying to capture it in his work. As well as leaving a large body of work behind, Schlemmer art theories have also been published. A comprehensive book of his letters and diary entries from 1910 to 1943 is also available.